The third model, though, wasn’t actually a centre block-equipped semiacoustic at all, but a hollow-body, thinline guitar called the ES-330. The stereophonic ES-345 and the top-of-the-line ES-355 shared their basic construction principles with the ES-335 they also had a solid centre block inside their bodies. In 1959 Gibson broadened its model range by introducing three new models with the same body outline: Here’s a schematic of an ES-335 body, with the block marked out in brown: the Tune-o-matic bridge and the stopbar). The centre block also allows for use of solid-body hardware (i. ![]() ![]() The centre block runs from the neck joint all the way to the end pin, cutting the acoustic body in half, as well as dampening its acoustic resonance. Gibson’s then-president Theodore McCarty came up with the idea to combine a flat (“thinline”) hollow-body electric and a solid-body’s clearer tonality and resistance to feedback howling by inserting a solid-wood centre block into the body. Gibson’s ES-335 – released in 1958, and pictured above – is the original semiacoustic electric guitar, the first of its kind.
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